some of you never played online dressup games while sitting in a huge beat up desk chair while being yelled at by your mom when you were kids and it shows. grow up
The father’s artistic talent is clearly on display here, but I’m actually really impressed with this kid’s wild imagination. Many of his drawings are both conceptually unique and coherent.
does anyone else understand the very specific emotion that is just….. Lord of the Rings ?? like.. do you ever just think about it or imagine reading the books or something, and you just feel it… idk what else to call it other than the LotR emotion…
I’ve been getting quite a few asks about the process for the patterns in my stylized artworks, so I decided to put together a couple of tips regarding them.
Firstly, what you need are
— CUSTOM BRUSHES —
Most of the patterns I use are custom brushes I made, such as those:
For the longest time I was convinced making brushes must be super extra complicated. I was super extra wrong. All you need to start is a transparent canvas (2500px x 2500px max):
This will be your brush tip. When you’re satisfied how it looks, click Ctrl+A to select the whole canvas and go to ‘define brush preset’ under the edit menu
You will be asked to name your new glorious creation. Choose something that describes it well, so you can easily find it between all the ‘asfsfgdgd’ brushes you’ve created to be only used once
This is it. Look at it, you have just created a photoshop brush. First time i did I felt like I was cheated my whole life. IT’S SO EASY WHY HASN’T ANYONE TOLD ME
Time to edit the Good Boi to be more random, so it can be used as a Cool Fancy Pattern. Go into brush settings and change whatever you’d like. Here’s a list of what I do for patterns:
- under Shape Dynamics, I increase Size Jitter and Angle jitter by 5%-15%
- under Brush Tip Shape, I increase spacing by a shitload. Sometimes it’s like 150%, the point is to get the initial brush tip we painted to be visible.
- If I want it to look random and noisy, I enable the Dual Brush option, which acts like another brush was put on top of the one we’ve created. You can adjust all of the Dual Brush options (Size, Spacing, Scatter, Count) as you wish to get a very nice random brush to smear on your backgrounds
The result is as above. You can follow the same steps to create whatever brush you need: evenly spaced dots that look like you painted them by hand, geometric pattern to fill the background, a line of perfectly drawn XDs and so on.
BUT WAIT, THERE’S MORE
— PATHS —
But what if you want to get lots of circles made of tiny dots? Or you need rows of triangles for your cool background? Photoshop can do all of that for you, thanks to the magic of paths.
Typically, paths window can be found right next to Layers:
Draw whatever path you want, the Shape Tool has quite a bit of options. Remember, paths are completely different from brush strokes and they won’t show up in the navigator. To move a path around, click A to enable path selection tool. You can use Ctrl+T to transform it, and if you move a path while pressing Alt it will be duplicated.
Now, pick a brush you wish really was in place of that path you’ve drawn and go to layers, then choose the layer you want it to be drawn on. Then, click this tiny circle under the Paths window:
Then witness the magic of photoshop doing the drawing for you while you wonder how tf have you managed to forget about this option for the past 2 years
You can combine special brushes and paths for all sorts of cool effects. I mostly use them in backgrounds for my cards, but you can do whatever you want with them.
I hope that answers the questions for all of the people who were sending me inquires about the patterns. If you have any questions regarding this or any other Photoshop matter feel free to message me, I’m always up for complaining about how great and terrible Photoshop is C’:
Yes, we haven’t done this in a while… but our inbox and chat are swamped with questions on the subject, so this article was very much needed.
it’s a simple list of art apps, but we know you love those :D
Enough with the intro, here it is, a list of twelve art apps you may want to check out.
ArtRage is an art program for beginners and professionals. With its minimal interface, it’s easy to keep the essential tools at hand without stealing space from the canvas. Panels can be moved around and tools can be customised. We all know how important it is for digital artists to be able to modify brushes!
Pros: easy to use; friendly interface; essential tools from professional apps available; available for iOS, Android, Windows and Mac
Cons: it may get sluggish with big files and when using big brushes, but performances also depend on the running machine; limited selection of editing tools if compared to Photoshop - ArtRage is more of a painting program rather than an editing one.
Paid
ArtRage Lite is a different version at a cheaper price, mostly for beginners, but also for professionals if they need the essential.
Now free, Sketchbook is the famous app created by Autodesk for various platforms.
Pros: clean, friendly interface; easy to use; professional features
Cons: lack of official tutorials; doesn’t offer as many tools as other apps (it’s down to the essential); paid subscription in Adobe style for multiple licenses
Free and paid
Black Ink is a powerful little program few actually know, but there’s a reason: this isn’t your classing drawing app. What’s cool about it is the vast selection of special brushes, completely non-realistic, and definitely able to boost your creativity.
Pros: vast selection of customisable brushes; excellent performance
Cons: not very easy to use; non-intuitive interface
Paid
This is probably the most complete software for painting, drawing and animation. It was originally known as Manga Studio, but with its updates and addition of features, it became Clip Studio Paint.
This doesn’t say much about the quality of the features themselves considering the affordable price (if you haven’t used the app yet, that is), but among graphic apps, this one is the top seller.
Pros: professional features for illustrators; layout tools for comic/manga artists; 3D reference models; customisable tools; various sales with special prices
Cons: the interface may not appear intuitive at first; the program may lag (again, performance also depends on the running machine)
Paid
GIMP is the famous open source image editor originally created for GNU/Linux and available for OS X and Windows.
Best known as Photoshop’s main competition, this is a manipulation program for both beginners and professionals who love design.
It offers many professional features, making the program a powerful tool.
Pros: professional editing tools; supports different formats; supported by different platforms; active community
Cons: in spite of the simple design, many options are hidden and it takes time to discover all the features; slow startup
Free
Krita is an open source painting app created by artists for artists.
Pros: easy to use; intuitive interface; great brush workflow; brush stabilizer; customisable brushes; general good performance; very enthusiastic, although small, community
Cons: it may be slow or even crash depending on the running computer and the app’s version; very few editing tools compared to Photoshop
Free
MediBang Paint is a free and light app for drawing and painting, perfect for manga and comic creation.
Pros: vast selection of brushes; cloud sharing; friendly, minimal interface (non-desktop app); also available for iPad, iPhone and Android
Cons: requires an account to use all features; non-intuitive interface (desktop version)
Free
Mischief is a sketching app with essential tools, useful for brainstorming and ideation.
Pros: infinite drawing canvas; friendly interface; easy to use; cheap pro version
Cons: few updates; offers only the essential (but that’s the point); no editing/adjustment tools
Free and paid
Corel’s jewel, Painter is the most famous software that offers digital tools able to give a traditional feel to brushes and canvas.
Pros: different selection of media; many professional features; PS-friendly
Cons: certain brushes may work slow; not easy to use at first; the software may crash (this is the most common report); pricey
Paid
Paintstorm Studio is a professional software for digital painting. It’s focused on the use of brushes and blending, which makes the software a little gem in the digital painting field.
Pros: good brush workflow; brush stabilizer; “close gap” feature; customisable interface and tools; professional features; affordable price
With the very sensitive Apple Pencil, Procreate is so easy to use that many artists chose the iPad over the most famous graphic tablets.
Pros: friendly interface; makes it easy to organise files; excellent brush workflow; customisable brushes; video recording; affordable price
Cons: hidden features; only available for iPad
Paid
SAI is a simple app for artists who want to focus on painting and drawing.
It’s well known for its good pressure support and its essential tools for manga artists, but SAI can be used by any kind of artist who wants to paint.
Pros: easy to use; friendly interface; light software; customisable brushes; tons of (non-official) tutorials
Cons: limited selection of tools, even basic ones; limited canvas sizes and uses; it might crash from intensive work, especially with big canvases and brushes; supports only RGB colour mode; lack of support
Paid
We hope you’ll find this list useful.
If you think there are other apps that should have made this list, don’t hesitate to let us know!
Okay guys, Ellen here with a couple of skin colour art hacks. Skin colours can be hard to pick, especially for races you’re not seeing in your own home or on TV every day. So I got a couple of hacks to share! The first is How To Make a Flesh Cloud.
On a layer set to Normal, make this gradient. This is pretty easy since most art programs have gradient tools. I used Levels to adjust how pale and how dark the colours could go. If you do this, you might wanna apply a Gaussian Blur a couple times to make sure it’s still buttery smooth.
Now you’re gonna go on a new layer and make this gradient here. These are called your undertones. On the left is the ‘cool’ tone, which you can stretch into a more purple range if you please. On the right is your ‘warm’ tone, which you can go further into yellow or almost green if you like. If you push too far into green, purple and blue, you’ll get some rather outlandish tones. Good for zombies and vampires if you’re looking for that, but I’m sticking to ‘lively’ tones for now.
Whoaaaa, what’s this! This is just what happens when you change the settings! With the later ‘Undertones’ on top, I set it to 30% opacity and the ‘Hue’ layer mode in CSP. Suddenly I have these lovely colours that I can play around with! I personally didn’t like any other combinations of layer modes, but you can play around at you please. Fiddling with the ‘Curves’ correction layer can offer you a wider variety of colours in a specific shade - light, medium, or dark can suddenly have a dozen different categories!
The other hack is for when you’re drawing someone in particular, or you have a piece of 3D animation you want to do fanart for, or you’ve picked a real person with the PERFECT skin colour that you want to duplicate in your art.
Let’s say I want to draw Lupita Nyong’o. She’s a gorgeous woman, why would I not?
DO NOT JUST PICK COLOURS OFF OF HER PHOTO. Picking colours from photos or 3D renders is so hard, guys. Never do it. You end up with more mud than gold in your pan. So I’m gonna introduce you to a special filter. In Photoshop it’s called Crystallise, but in CSP, it’s called Mosaic. It lets you take a photograph and turn it into boxes of solid colour, rather than tiny teeny pixels that are impossible to pick correctly.
Ta-dah! … Okay, it looks terrible. But now I have solid colours that I can pick and palette without fear of grabbing something that looks nothing like the final result!
I’ve never really wrote a tutorial before so apologies if this is bad
1. okay first thing I do is pick three colors, a mid, dark, and light. I like to check the colors in greyscale to make sure there’s enough contrast between each one.
I then plop down a blob of whatever my middle tone color is.
2. next, I take my dark color and just sort of randomly place it around. I try to make sure there’s a good amount of both the mid and dark tones spread throughout. I personally like to keep it kinda messy. I also have pen pressure on for both brush size and opacity, so I can have some blending action going on.
3. for the next step I do the exact same thing as before, except with the light color.
4. aight this is where we start adding details. see how you just have a bunch of colors and edges where two colors meet? use the eyedropper and go to an area where two colors meet, eyedrop a color, and then use that color to draw in your grass blades. I do this at every point where colors meet. should note I personally like to use a square brush, but you can really just use anything.
5. you can technically stop at the last step if you’re going for a more simple look, but to add more details I go to the “empty” areas of solid color and just draw in random strokes using a color nearby. it’s just a way to fill up the empty space.
6. basically more of the same idea of eyedropping and drawing. for more variety so things look interesting, I like to add random plant shapes.
7. and so the grass doesn’t look too plain, I add random dots of color and pretend it’s flowers and stuff.
and there you have it, this is how I approach drawing grass.
I chose these ones because I thought they were the best after scrolling for a good hour. I did some editing (resizing, naming, and adding credits) but nothing more!! I just wanted to make a big and varied expression meme with different styles to choose from if anyone else likes to do that. Feel free to reblog but PLEASE KEEP THIS ON TUMBLR.
Send a name (of expression meme), letter+number, and character to my inbox ♪(´▽｀)
